Lynsey Addario, a photographer for The New York Times, has extensively covered the war in Afghanistan, often focusing on female soldiers. She spoke with James Estrin about the Pentagon’s recent lifting of the ban on women in combat. The conversation, which took place via Skype from her home in London has been edited.
When I heard about the lifting of the ban on women in combat, I thought about your coverage of female soldiers for The Times, and also about the interview we did about women covering conflict after you were freed from captivity in Libya. What was your reaction to the announcement?
Profile
Lynsey Addario
Lynsey Addario, who freelances for The New York Times, The New York Times Magazine and others, has previously appeared on Lens Blog.
It is a huge step historically, of course, but it’s actually just stating publicly what has been happening little by little over the past decade. Women have been fighting this war more and more, whether we acknowledge it or not.
They’re at bases all across Afghanistan, and they’re playing different roles – from black ops pilots to doing triage in forward-operating medical centers. They’re engaging women in villages of Helmand that are covered with landmines. They are getting shot at. They are dying, and they are getting injured.
Everyone can fight about whether women should be on the front lines, but the fact is that they are out there. So, at some point, you have to acknowledge it and compensate them for it or at least give them the dignity of saying “O.K., you’re out there, and thank you for it.” Instead of saying, “No, they’re not allowed,” but really, they are.
You’ve often focused on female soldiers.
Mostly in 2009 and 2010. Most of the work I shot on assignment for The New York Times when I was doing a series with Elisabeth Bumiller. And then when I was doing the big National Geographic story on women in Afghanistan, I did a few embeds focusing on female soldiers who would meet Afghan women. That work is so dear to me, and I loved shooting it.
Who are these women joining the military and wanting to be in combat?
They’re women who don’t feel inhibited by their sex, by their gender. I mean, they’re women who don’t feel limited by the fact that they were born women. They believe in fighting for their country. They want to be doing something to help fight the wars that we’ve been fighting for over a decade. And they want to be out there.
They’re no different than any of us. They have a goal, and they want to accomplish it. And they don’t want to be told they can’t do it because they’re women.
A lot of them are extremely ambitious, very dedicated. They work out all the time, very intelligent.
What made you want to do this story to pursue it so deeply?
One of the biggest challenges as a photographer is to take a subject that’s been covered for decades and to try to bring something new to it. I’ve been going on these embeds for years, and it’s very hard to make a compelling picture or something new that the reader hasn’t seen before.
When I started seeing women on the front line, I was intrigued. It felt so strange to me, and I immediately got pulled in. I also had access to them because I was often put in the same tent or made to sleep in the room with all the women. I was always sort of pushed off with the women because on military bases, there’s a real separation. You know, you have to have separate sleeping quarters for women.
What is that you learned as you pursued this story?
I think the longer these wars go on, and the more women are inserted in these nontraditional roles in the military, the more we have to accept the fact that there are actually women on the front lines.
I myself am a woman, and I’ve been embedding for years with the military. And granted, I’m not carrying thousands of rounds of ammunition and the packs that they carry. But I do go on the same patrols that the men go on and I am able to keep up.
There are great differences between men and women in terms of strength and what we can carry and what we can keep up with, but I don’t think it’s necessary for men and women to be equal. I think that women can play a role on the front line without having to hold up the same amount of weight as men.
You said that you don’t have to look at men and women as being equal for women to contribute on the front line. What exactly did you mean?
Well, I think one of the arguments a lot of people have is that women can’t hold their own the way men can. For example, if you have a fellow soldier who’s been shot, can you carry his body alone back to a safe place? And one of the arguments is that a woman couldn’t do that. So therefore, she shouldn’t be out there.
I don’t know how you work around that. I’m not really sure what the answer is. The fact is that women are not as strong as a lot of men. There are some women who are, but I think, over all, it’s going to be a challenge to find women who can keep up with the physical endurance tests that men can. That said, I’m not sure how important that is anymore because the war is changing. The war we fight now is not the same war that was fought 40 years ago.
This is a war on terror, this is a war where the front lines are nebulous.
When we talked about your being on the front lines shortly after you were freed from Libya, you pointed to specific things you thought a woman could bring to the table. A woman may not have the same access to men, but they’re going to have much stronger access to women. And different perspectives. Is there a similar situation for female soldiers on the front line?
This gets back into the discussion about what is the front line. The female engagement teams were created to engage with Afghan women — 50 percent of the population — that we didn’t have access to before. That’s part of the whole counterinsurgency project. So, if you’re trying to win over a population and you don’t have access to 50 percent of the people, it’s going to be very hard.
You can’t do that with men because, traditionally in Afghanistan, men cannot go into a house and sit down with Afghan women. The female engagement teams went in, and they were able to sit down, drink tea and talk to Afghan women.
How much was accomplished is obviously up for discussion. Some people say not that much was accomplished and that they just went and drank tea. Some people say, “Well, they were able to gain trust of families that didn’t before believe that Americans were good people.”
If your doctrine is counterinsurgency, if you’re trying to win over the population, it’s probably worth the effort to go out and try to engage in a country that’s very segregated by the sexes.
I’m older than you, and I remember when there weren’t many women in the military. And there were heated discussions about how women can’t be in the military, how women can’t be captured, how it would harm the other soldiers and it would hurt morale.
Well, I remember when Elizabeth Rubin and I went to the Korengal Valley to embed with the 173rd Airborne. This was for The New York Times Magazine. And Elizabeth wanted to do a story about why, with all the firepower that we had, we weren’t winning the war? And how come there was so much collateral damage? And so basically, we lived on the side of a mountain for two months of the Korengal Outpost.
But when we first asked the press guys with the military to go to that base, they said, “It is not a place fit for women. You cannot go.” And Elizabeth and I said that’s exactly where we want to go. Now we really want to go.
And so finally, we fought so much that they sent us to the Korengal, and we were the only two women there for months. This was before the female engagement teams, and that particular outpost saw heavy fighting all the time. I mean, we were basically shot at or mortared almost on a daily basis.
We kept up with all the patrols. We went on six, seven hour a day patrols. We carried our own stuff. We were out there getting shot at as well. Now, were we carrying guns and ammunition? No. So it’s a very different thing. But we were able to keep up and we were able to live out there.
I think when you start challenging the norms and when you start pushing the boundaries a little, you realize that the boundaries can really be pushed.
Is there anything that you can think of that is a realistic boundary between male and female soldiers?
Yes. I mean, there are times where you need someone who can carry the soldier if he gets shot. Or you need someone who physically can carry a certain amount of rounds of ammunition. I’m not a commander in the military, so there’s a lot I don’t understand.
There are situations where women aren’t really fit to be in certain roles. Special Forces, for example. Do I think women can be in Special Forces? I’m not sure. The demand on the body and spending extended periods of time in the middle of nowhere, I don’t know if that’s O.K. for women.
But I do think there is space for women on the front lines, but it is always going to be defined by what exactly is that front line. Because it’s not Vietnam, we’re in a very different war. It’s different from 30 years ago, or 20 years ago.
Is the situation of a female foreign correspondent or photojournalist on the front lines similar to that of female soldiers?
It’s different, because the military has layers and layers and layers of command. And so they take decisions as a group.
You know, when you’re dealing with the military, those are decisions that are made at a very high level and passed down. Me, I’m in charge of my own destiny. So I can decide, to a certain extent, how much I want to be in the middle of combat.
One time, we were shot at as I was walking around with one of the female engagement teams. Just because legally, they weren’t allowed to be on the front lines, they were still being shot at on the front lines.
Follow @lynseyaddario, @JamesEstrin and @nytimesphoto on Twitter. Lens is also on Facebook.
Lens Blog: Lynsey Addario's Photographs of Women in Combat
This article
Lens Blog: Lynsey Addario's Photographs of Women in Combat
can be opened in url
http://newstocology.blogspot.com/2013/01/lens-blog-lynsey-addario-photographs-of.html
Lens Blog: Lynsey Addario's Photographs of Women in Combat
